As I opened my
email this morning, I got word that a friend of fifty years had passed away.
I first met K
Bikram Singh when we joined the Indian civil service as probationers. We
discussed politics and movies on our walks on Marine Drive after a days hard
work. It was clear even then that Bikrams heart was not in his job but
elsewhere. Films were his first, and perhaps only, love and he desperately wanted
to follow his dream. But then he got married, had two children and became a
householder worrying about his electricity bills. It took him a while but a few
years later, he decided to resign from the civil service and follow his dreams.
He was the first of my friends to take this gamble and all of us were rather
amazed at his daring.
Over the next
few years he had his ups and downs but he never gave up. I remember I was posted in Bombay when
Bikram was producing his first feature film “The New Delhi Times” and came to our house to borrow furniture and
various artifacts for his movie. You can still see his acknowledgement in the movie! Bikram was a
true movie buff. I remember how he would tear apart every movie we saw and once
waxing eloquent on the wrong lighting and camera angles in a porn movie.
For a few years
we shared an apartment with another civil service probationer – Ravi Kant
Shrivastava- who was to later become the chairman of Indian Income tax and we
ran a house with a young trainee Babu who became our valet. But then I got a
scholarship and left for the U.S and, as often happens, we lost track of each other. In
early 1980s I was again posted to Bombay but by then Bikram was deep in his new
lifestyle. I remember a few years
later, he had made a documentary on the only female "shamshan ghat" burner in India and
passed on a dvd of his work for my comments. Durin my various visits to Delhi we would meet at his favourite haunt, the India International Center, and have a drink and reminisce about old times. I will dearly miss his company and his earnest discussion of whatever he was involved in.
He was an extremely talented
artist and I am glad he followed his dreams.
Here is a fuller
description of his lively and
fruitrful life:
“ Renowned filmmaker and critic K Bikram Singh, who had quit
government service to take to his passion of making films, died yesterday after
a prolonged liver complication.
Aged 75, Singh is survived by his wife Urmila, son Rishi and
daughter Ruchi.
Born on 26 May 1938, Singh started his career in 1961 as a Lecturer in History.
He worked as a senior civil-servant with the Union Government from 1962 to 1983
in the Traffic and Planning departments of the Indian Railways, and later in
the Directorate of Film Festivals as joint director and director of Film Policy
in the Information and Broadcasting Ministry.
Because of his interest in cinema, he took voluntary retirement from government
service in April 1983 and became a full time filmmaker.
His interest in serious cinema goes back to the 1960s when he
became a member of 'Film Forum', a film society of Mumbai.
He produced ‘Andhi Gali’ by the
filmmaker Buddhadeb Dasgupta where he was also associate director.
His production ‘New Delhi Times’
starring Shashi Kapoor directed by Ramesh Sharma in 1986 was in the Indian
Panorama. ‘Tarpan’ made for the National
Film Development Corporation in 1995, which he wrote, produced and directed,
won the Aravindan Award for debut director and was a part of the Indian
Panorama.
‘Tarpan’ was shown at
Moscow, Montreal, and Chicago, apart from winning an award at Cairo.
Later in 1997, he assisted Basu Bhattacharya in the making of ‘Aastha’ starring Rekha with Om Puri and
Dinesh Thakur.
He has produced and directed more than 60 documentaries. Some of these have
participated in the International Film Festivals, in India and abroad. A few of
his well-known documentaries/TV series are 'Contemporary
Indian Painting', 'Greening of
Ralegan Shindi' (On the work of environmentalist Anna Sahib Hazare), 'In Search of Limelight' (On the Junior
Artistes of film industry), 'Bonded Labour',
'Looking Beyond' (a tourism series),
'Satyajit Ray: Introspections', 'Jhilmili Story' (on the empowerment of rural
women) and 'A Painters Portrait' (a 13 part series on contemporary Indian
painters).
'Satyajit Ray: Introspections' that was completed in 1990 was his
personal tribute to Satyajit Ray. This has been shown in several countries
including Japan, Australia, Sri Lanka, France, U.K. and U.S.A. and was in the
Indian Panorama Section of India's International Film Festival in 1991. Museum
of Modern Art, New York (MOMA) has acquired the non-theatrical rights of this
film for U.S.A. and Canada.
He was also an author and a veteran film critic.
Singh had a deep interest in issues relating to environment and tourism. He
made more than 20 documentaries related to environmental and social issues.
Some of these are 'Rebirth', 'A Friendly Place' (1997) and 'Roots of Datia'.
This film on the natural regeneration of barren land was awarded Special Jury
Prize at the Romaninan Film Festival, 1998. The theme and story outline of his
television serial,'Kahin Ek Gaon' produced in 1995-96 was conceived by him in
1987-88 while shooting the documentary 'Greening of Relegan Shindi'. This deals
with the environmental regeneration of a village in Maharastra, led by the
well-known environmentalist Anna Saheb Hazere.
In 1988-89 he had made a 10 part series on the lesser-known
destinations of tourists interest called Musafir for Doordarshan. An year later
he collaborated with the well known travel writers Hugh and Collen Grantzer to
make a six part series called Looking Beyond for tourism promotion for
Doordarshan. He has made two films for the Department of Tourism , Govt. of
India called Musafir (1992) and The Hill Trail (1993) and two films for the
Department of Tourism, Govt. of Rajasthan called Mewar a Living Legend and The
Desert Triangle.
During 1993-94 he researched, directed and produced a 12 part
video series on the 'Story of Indian
Painting'. This was followed by a 13 parts series called 'A Painters Portrait' on 13
contemporary Indian painters. In 1997 he made an hour-long video film on 'Glimpses of indian Painting' for the
Ministry of External Affairs and in the same year made another hour-long film
on 'Progressive Artists Group'
featuring Souza, Raza, Hussain, Ara, Bakre and Gade for the National Gallery of
Modern Art (NGMA). This was followed by another film for the NGMA on the art of
printmaking called 'The Art of Multiple Originals' in 2002 and a film on the
painter K G Subramanyan called 'A
Rabbit's Leap In the Moonlight' in 2004. The critics have hailed theses
films as landmark works on contemporary Indian painting.
In 1999-94 he did an eight part series called 'Kavita Shati' and another four part
series called 'Kavi Aur Kavita' on
the contemporary Hindi poets for Mahatma Gandhi Antarrastriya Hindi
Viswavidyalaya. He has also made film for the the two eminent Hindi poets
Kedarnath Singh and Kunwar Narain.
In 1995 he produced and dircted a telvision feature film called 'Srijan' on the theme of environment and rural
development. This has been shown on Doordarshan i.e. Indian national television
feature film called 'Srijan' on the
theme of environment and rural development.
In 1997-98 he produced and directed a television series called 'Without Malice' for Star TV. This is a
satirical review of the history of post-Independent India (1947-1998) through
published political cartoons. This series has received very wide critical
notices in the press.
In 2001, he completed a video documentary on Lester James Peries,
the celebrated Sri Lankan film director called 'The World of Peries'. Apart
from exploring his work as filmmaker this film also deals with the lifelong
friendship of Peries with Satyajit Ray. In the same year he made another video
documentary called 'Of Life And Death' for the Public Service Broadcasting
Trust (PSBT) that explores the meaning of life, death and immortality in
contemporary times. Both these were in the Competitive Section of Mumbai
International Film Festival 2002. Since then he has made two more films for
PSBT 'A Middle Class Rebellion' (2002) on changing values of Indian middle
class and 'Passing On' (2003) that deals with the problem of transmitting the
folk music tradition of the Langa and Manganiyar communities of Rajasthan, to
the next generation.
He was President of North India Films Association, Member Central
Selection Panel for the Featdure Films for Indian Panorama Section of the
Indian International Film Festival (1991), Chairman, Selection Panel for the
Non-Feature Films of Indian Panorama (1992), and Chairman, Short Films Jury for
the NISCORT Film Festival (1999). He was the member of the Selection Panel for
films for the 8th Mumbai International Film Festival for Documentary, Short and
Animation films (2004). He is a life member of Indian Film Director's
Association, member of Indian Documentary Producer's Association, Western India
Film Producer's Association and Indian Film Writers Association.”
He wrote a fortnightly column on life, literature and the arts
called BIMB PARTIBIMB in the major Hindi daily Jansatta. Cine Arts India Arts
India was his proprietary concern for making film and video productions.
What a long and fruitful life. Rest in peace, my friend.