We will honor Anil K. Malhotra tomorrow - Thursday, August 28, 2014 - at the Pumphrey Funeral Home, 7557 Wisconsin Avenue, Bethesda, MD with a viewing starting at 9AM, with a funeral service following at 9:45AM.
In Civilization and its Discontents, Freud argues that there are three reasons we are so miserable and they all have something to do with disappointed expectations. His enemies of happiness are: (a) religion, especially Christianity for pushing the idea of heaven; (b) 18th-century voyages of discovery—for raising unrealistic expectations of heaven on earth; (c) finally (so self-critically!) psychoanalysis itself, which seems to dangle in front of you the notion that everything can be fixed. One could add another: (d) the pharmaceutical industry (and illicit chemical cocktails similarly).
The notion that happiness is actually attainable belongs to the second half of the 18th century. Previously there had been a general consensus that no one can be called happy until he carries his happiness down to the grave in peace. Paradiso was strictly for the pages of Dante. In Greenland, for example, the Greenlanders bought into Christianity on account of its persuasive description of pain and suffering. The vale of tears was real. Bougainville’s Voyage autour du monde (1771) stresses two things. First, that the Tahitians live a life of wellbeing, and don’t have to work too hard either. Second, that the women—and to some extent the men too—throw themselves willingly at French sailors, which adds significantly to the happiness of French sailors. There are of course darker strands to the narrative—Bougainville mentions at least one murder, and hints that in fact sexual bliss may actually have been obtained in exchange for a few nails or other useful items. But nevertheless, one can say that Bougainville was concerned less with the pursuit of happiness itself, than with the fact it had finally been located and lived out in the southern hemisphere. It was just a question of transporting the south back into the north. These traveller’s tales of transcendence had a powerful impact on subsequent thinkers. Freud, for one. His theory of the id and the ego transposes the 18th century map of the world, specifically the north/south divide, onto the map of the human psyche. The “southern” id was having all the fun—the pleasure principle—while the more northerly ego was reining in the hedonistic savage self with a good dose of the “reality principle.”
Charles Fourier, the great utopian philosopher who provided the blueprint for the communist society of the future, looked forward to unfaltering happiness and an age of “harmony” in the “phalanstery,” with mass adultery, public orgies and a sexual AA call-out service for anyone who is still really desperate.
Albert Camus was equally alert to the tyranny of happiness. In his early work, The Myth of Sisyphus, he satirises the figure of Don Juan and the concept of the orgy, but in the very last line of the essay he asks us to imagine that Sisyphus, forever rolling his rock up the mountain, is “happy.” Conversely, he suggests (in his Carnets) that “we have to fall in love if only to provide an alibi for the random despair we were going to feel anyway”’ Whether you play football or go swimming or rock-rolling—or even write, something always goes wrong. Or, as Sartre, his long-time comrade and adversary, put it: “everything always goes wrong” (tout est voué à l’échec).
From Voltaire to Wittgenstein, the point of philosophy has been to pop the balloon of excessive optimism. “Many happy returns!” said his landlady to Wittgenstein on his birthday as he lay dying of cancer. “No there aren’t,” he replied tersely. Therefore, angst, despair, nausea: welcome! Get thee behind me Church of perpetual wellbeing (the “Wellness Syndrome,” as Carl Cederström puts it).
We all want to be happy
and spend a lot of time and energy to avoid the pain that stems from sadness
and suffering. Go to any book shop and you will see hundreds of books all dedicated to
helping us to avoid pain and suffering. There are also thousands of blogs and
gurus providing just as many ways to “true happiness”. But you ever stopped to think about the cost of happiness, the most important being the loss of creativity. As Eric Wilson points out: “Creating doesn’t make us unhappy; unhappiness makes us
creative.”
In his book “Against Happiness”, he argues that without sadness there would no creativity, inventiveness,
imagination, or philosophic thought. Without melancholy society would
lose it’s soul as people would not have the desire to look beyond their “happy
state” to find new meaning in life in new experiences and as yet un-imagined
existential states. Professor Wilson argues that we need to embrace
melancholia as a necessary and healthy state of life.
There are hundreds of
examples of exceptionally creative melancholics throughout time– Abraham
Lincoln, Cary Grant, Ernest Hemingway and Winston Churchill to name a few. Many
writers and artists created their greatest works during times of melancholy and
depression. For example singer Joni
Mitchell once said: “Depression can be the sand that makes the pearl. Most of my
best work came out of it”. Recognizing the darker parts of herself was essential to
recognizing the good.
Psychologist Carl Jung
studied an ancient Taoist work called “The Secret of the Golden Flower” and
concluded that two things that often appear to be opposites may actually be “independent
manifestations of the same principle.” For Jung, the underlying
principle was the unconscious.
· Ying and Yang
· Darkness and
Light
· Female and Male
To Jung melancholy and
sadness often lead to greater understanding, and are a necessary catalyst for
insight and self-awareness. There can be no “shaping of identity” without
melancholy.
· Doubt breeds
knowledge
· Brooding breeds
enlightenment
· Fear breeds
strength
· Worry breeds
action
· Melancholy
breeds creativity
Melancholia allows us to
see true beauty. As Keats points out “Pain is the muse of beauty.” Without it we would not be able to differentiate it from what
is merely pretty.
A lot of our aversion to
pain and suffering stems from our fear of death. Connecting to our melancholy helps us to recognize
that everything is temporary and fleeting. Instead of escaping our fear of
death we should confront it and explore it. By doing so we can more appreciate
life’s beauty, brilliance and possibility. We become energized to live more
fully and creatively. It brings us back in touch with reality, but with a
open mind of questioning, introspection, and invention.
In conclusion, constant
happiness could be argued to be artificial and delusional. To truly experience
life we must embrace the dualities of Life’s natural cycles of both darkness
and light.
This was the last blog written by Anil K. Malhotra. Our husband and father expired on August 22, 2014.
On his behalf we thank all of his readers for their support and encouragement.
-- the Malhotra family
On his behalf we thank all of his readers for their support and encouragement.
-- the Malhotra family